Tag Archives: children’s books

A Little Play about a Little Prince

Have you read The Little Prince, by Antoine De Saint-Exupéry?

(If you haven’t, I highly recommend that you stop reading this, go find a copy of The Little Prince, and read it. It’s much better than this blog. But then please come back!)

Do you have tears in your eyes now, the way I did tonight when I saw the stage production of The Little Prince? My eyes started watering with the VERY FIRST LINE and were still wet when the actors came out to take their bows.

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I’ll admit I’m a little biased. I’m a huge fan of the book, and I’m not alone. It’s sold 140 million copies worldwide, and it’s been translated into 300 languages and dialects.

In college, my very good friend Margo gave me the hardcover edition (shown above) as a gift. I love the book on its own merits, but also because it reminds me of Margo.

Several years ago, my daughter, Katie, gave me a Little Prince kitchen magnet.

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She also gave me some Little Prince postcards. I’ve got one of the cards tacked up on my wall at work.

The other day, I found a Little Prince plastic cup in my work mailbox. I asked around and found out it was from a teacher, Ms. S.,  who works there. “Ms. S. does things like that,” someone told me. “It must have been her.”

Sure enough, it was Ms. S.  “I noticed the card in your office,” she said. “I love The Little Prince. He’s been my inspiration for years. I even have a Little Prince tattoo!” Wow. That’s some serious inspiration.

The next day, a pair of Little Prince socks appeared in my work mailbox, from — guess who? Ms. S. strikes again! I wore them to the play tonight.

The character of the prince was played by seven different actors who took turns wearing his royal blue costume seen above. I don’t want to give away the plot, but this is perhaps the sweetest, most poignant story ever told.

The first line of the play, the one that made me start crying right off the bat, is this quote from the book:

“One truly sees with the heart; what is essential is invisible to the eyes.”

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(This is post #2 for NanoPoblano2019.)

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I’m Living in a Children’s Book

My two-week Airbnb guest house in upstate New York comes with ducks and chickens. I didn’t know this when I rented the place, but I’ve discovered that I enjoy waking up to the sound of quacking and clucking in the morning. Sure, I have to be careful not to step in duck poop when I enter and exit the building, but I’m getting back to nature!

It had rained overnight. Good weather for the ducks, who were quacking up a storm this morning as they waddled around drinking from the puddles. Then the sun came out, and so did the chickens, clucking and pecking and watching me with their beady little eyes.

One of them came up to me and circled around my legs. She didn’t try to peck at me, so I put her to work as my model. I felt like a professional fashion photographer as I complimented her fine feathers and jaunty gait.

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The photo shoot continued as we headed over to the chicken coop. I was hoping the door to the nesting box would be open so I could collect an egg or two for breakfast. Sadly, the door was closed and latched. I thought about opening it, but I wasn’t sure all of the chickens were out roaming around.

Just then my model chicken started clucking like crazy. Apparently, she really wanted to get inside of the coop. I thought about opening the door for her until I noticed a pair of eyes looking out from an opening in the nesting box. It was a rabbit.

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What was a rabbit doing in the chicken coop? Guarding the eggs? Keeping them warm? Just hanging out? Maybe the chicken and the rabbit are BFFs. I’m dying to know. Could this be the inspiration for my next children’s novel?

The “Frog and Toad” books were a big hit. Maybe “Chicken and Rabbit” would be even more popular with today’s kids … especially if I include illustrations of duck poop.

Any illustrators out there interested in collaborating? If you act fast, I can pay you in fresh eggs.

The Writer’s Brush

Have you ever been immersed in a book and suddenly been struck by the knowledge that the writing isn’t just good, it’s great?

Of course you have. But what exactly is it about the writing that gets to you? What hits you over the head and makes you say, “Wow”? Is it what the writer has to say, or how they say it?

To my mind, great writing requires both. It not only has to impart something worth saying, but it has to say it in a particularly artful way. I came across an example of this today while reading “One-Eyed Cat,” by Paula Fox.

This book is an example of how characters, setting, mood, plot, and theme all come together delicately yet quite powerfully. The author has something to say to young adult readers, and she says it with finesse. I couldn’t help but think “Wow” to myself several times while reading. Here’s an example of what I mean:

 “The stillness was deep as though the earth itself had drawn in its breath. The only thing moving was a wasp near the roof of the outhouse. Ned watched it as its circles grew smaller and smaller until, all at once, it disappeared. Probably its nest was there just under the roof. Maybe there were snakes in back of the outhouse where the tangled grass grew thick. He suddenly recalled how Janet had flung her whole self against Billy, how the snake had flown out of his hands. A thought was buzzing and circling inside his head, a thought that stung like a wasp could sting.”

With those few sentences, the author creates a silence, then fills it with small terrors. She has not only created a mood, she’s put us right inside of Ned’s head and made us feel the sting of the painful thought that Ned can’t just swat away. That sting is the tangible representation of the book’s central theme.

After that paragraph, I couldn’t stop turning the pages. I was in Ned’s head and I wanted to know how things would turn out. The theme was what hooked me, and the writing style made me a very willing catch.

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And here’s another analogy: great writing is like great painting. The subject is important, but so is the execution. A splash of blue color on canvas is just that, unless it happens to be as majestically painted as Starry Night. A face could be quite boring unless it’s captured the mystery of the Mona Lisa or the terror of The Scream.

Great writing requires a solid subject and an artistic brush.

What examples of great writing have you read lately?